ILNews

Terms of Art: James Strain

Back to TopCommentsE-mailPrintBookmark and Share

“When you photograph a face . . . you photograph the soul behind it.”

-Jean-Luc Godard


ArtLong before photography became as ubiquitous as it is now, the uninitiated feared that the camera captured part of the subject’s soul. Maybe not so far from the truth, when one considers the works of Bloomington native and local attorney, James Strain. Whether his photographs depict a remote church, a craggy landscape, or a beloved grandchild, Strain features the character or soul of his subject in a way that makes the viewer feel a sense of connection.

Like countless artists before him, Strain’s photographs often reflect his state of mind at a given time. For instance, he recalls that on an unusually frustrating day at the office, he grabbed his camera and fled the office. Driving through rural Indiana, he happened across a small church and stopped to photograph it. The result is a striking image of a simple and serene white church advancing into the foreground with a menacing sky above. Strain explains that the sky had, in fact, been a brilliant blue that day; however, by using a red filter with his camera, he had enhanced the contrast between clouds in the sky and the stark-white walls of the church, and in so doing, injected the frustration that he was feeling into the image. Ansel Adams once said, “There are always two people in every picture: the photographer and the viewer.” Naturally, Strain’s own soul is revealed to an extent in his images, most often reflecting his love of mystery, piquing the viewer’s curiosity, and spurring him or her to ask questions.

Interestingly, Strain is as much a lover of the printing process as he is enamored of the final work of art. This ability is due, in part, to the early influence of Strain’s father, who was both a physicist and an architect. This unity of left-and right-brain thinking informs Strain’s unique approach to photography. As such, he is deeply knowledgeable about the science of photography. He prefers to make platinum prints, which are completely matte, virtually indestructible, and which best serve his preferred black-and-white aesthetic. (Platinum prints are characterized by intriguing gradations of black and white tones.) He explains that a photographer’s use of the black-and-white medium is “often a statement in-and-of-itself,” whereby the photographer attempts to evoke a sentiment distinct from the content of the image.
 

terms of art A rural church James Strain photographed while out on a drive. (Photo courtesy James Strain)

In his works, Strain has charted his children’s growth, made portraits of his grandchildren, and chronicled decades of marriage to his beloved wife. He fondly recalls traveling Europe with his children’s choir and finding endless sources of inspiration in majestic cathedrals across the continent. Naturally, photography is an integral part of Strain’s tourist experience; however, he acknowledges that his commitment to perfection has often led his weary family to ask, “Haven’t you gotten the shot yet?” But this is the way of artists, eternally ambitious and perpetually striving to reconcile the various forces at play.

Strain completed his undergraduate studies at Indiana University in Bloomington. He reflects fondly upon a law school professor, Val Nolan Jr., who became his friend and mentor while Strain was an undergraduate work-study student. Nolan, who held full professorships in both the law school and biology department of I.U.’s School of Arts and Sciences, made quite an impression, committed to serving two disciplines – zoology and the law. Strain recalls that his mentor taught him a valuable and enduring lesson when he managed to publish a zoology text during his tenure at the law school. Strain has since shared his mentor’s example with his three children – two of whom are now professional artists. Balance, however elusive, may indeed be struck between seemingly incongruous interests: “You can be a professional and honor your art,” he explains.

This “eureka” moment cemented Strain’s decision to enroll in law school.

And so it is now, all these years later, that Strain – formerly a law clerk to then-Associate Justice of the Supreme Court of the United States, William Rehnquist, and now a partner at Taft Stettinius & Hollister – is seldom without a camera. He has chronicled everything from remote locales and famous architectural wonders to the evolution of his family over several decades. Fittingly, several walls and conference rooms at his firm are adorned with his striking still-life photographs and landscapes in an apt metaphor, reflecting the undeniably successful marriage of his professional and artistic pursuits. He credits our profession with enabling him to pursue his admittedly expensive hobby. Far from a mere hobbyist, however, Strain has been represented and promoted by an art brokerage house, presented exhibitions, won competitions, and has sold numerous memorable photographs.

It is a well-settled truth in our profession that there is more to any scenario than meets the eye. Strain maintains that being a photographer has made him a better attorney, and vice versa. His artistic process requires a critical eye; the ability to deftly distill a complex subject into an accessible message; and creative problem-solving when conditions – both predictable and unforeseen – affect his work.

James Strain’s works may be viewed at http://www.jimstrain-photography.com/.•
__________

Wandini Riggins is an associate in the Indianapolis firm of Lewis Wagner. She concentrates her practice in the areas of insurance bad faith disputes and insurance coverage. She can be reached at wriggins@lewiswagner.com. The opinions expressed are those of the author.

ADVERTISEMENT

Post a comment to this story

COMMENTS POLICY
We reserve the right to remove any post that we feel is obscene, profane, vulgar, racist, sexually explicit, abusive, or hateful.
 
You are legally responsible for what you post and your anonymity is not guaranteed.
 
Posts that insult, defame, threaten, harass or abuse other readers or people mentioned in Indiana Lawyer editorial content are also subject to removal. Please respect the privacy of individuals and refrain from posting personal information.
 
No solicitations, spamming or advertisements are allowed. Readers may post links to other informational websites that are relevant to the topic at hand, but please do not link to objectionable material.
 
We may remove messages that are unrelated to the topic, encourage illegal activity, use all capital letters or are unreadable.
 

Messages that are flagged by readers as objectionable will be reviewed and may or may not be removed. Please do not flag a post simply because you disagree with it.

Sponsored by
ADVERTISEMENT
Subscribe to Indiana Lawyer
  1. Bob Leonard killed two people named Jennifer and Dion Longworth. There were no Smiths involved.

  2. Being on this journey from the beginning has convinced me the justice system really doesn't care about the welfare of the child. The trial court judge knew the child belonged with the mother. The father having total disregard for the rules of the court. Not only did this cost the mother and child valuable time together but thousands in legal fees. When the child was with the father the mother paid her child support. When the child was finally with the right parent somehow the father got away without having to pay one penny of child support. He had to be in control. Since he withheld all information regarding the child's welfare he put her in harms way. Mother took the child to the doctor when she got sick and was totally embarrassed she knew nothing regarding the medical information especially the allergies, The mother texted the father (from the doctors office) and he replied call his attorney. To me this doesn't seem like a concerned father. Seeing the child upset when she had to go back to the father. What upset me the most was finding out the child sleeps with him. Sometimes in the nude. Maybe I don't understand all the rules of the law but I thought this was also morally wrong. A concerned parent would allow the child to finish the school year. Say goodbye to her friends. It saddens me to know the child will not have contact with the sisters, aunts, uncles and the 87 year old grandfather. He didn't allow it before. Only the mother is allowed to talk to the child. I don't think now will be any different. I hope the decision the courts made would've been the same one if this was a member of their family. Someday this child will end up in therapy if allowed to remain with the father.

  3. Ok attorney Straw ... if that be a good idea ... And I am not saying it is ... but if it were ... would that be ripe prior to her suffering an embarrassing remand from the Seventh? Seems more than a tad premature here soldier. One putting on the armor should not boast liked one taking it off.

  4. The judge thinks that she is so cute to deny jurisdiction, but without jurisdiction, she loses her immunity. She did not give me any due process hearing or any discovery, like the Middlesex case provided for that lawyer. Because she has refused to protect me and she has no immunity because she rejected jurisdiction, I am now suing her in her district.

  5. Sam Bradbury was never a resident of Lafayette he lived in rural Tippecanoe County, Thats an error.

ADVERTISEMENT